Monday, 22 February 2010

Analysis of Thriller Openings

I have briefly analysed the opening of 3 thrillers and commented on the elements of a thriller that I have identified.

The Conversation, directed by Francis Ford Coppola (1978)

A brief description of what happens in the opening of this film is we see a group of people spying and listening on a conversation that a couple are having, the spies use a van with the label ‘pioneer glass’ as a base to report to and send back their information to. One of the couple notices one of the spies and tells her man and says ‘he’s been following us’. Elements of a thriller that I identified in this film are a puzzle because it makes me think, why are these spies doing this and what’s the purpose/reason behind their actions. I also identified suspicion, suspense and enigmas from the start.

No Country for Old Men, directed by Ethan Coen & Joel Coen (2008)

A brief description of what happens in the opening of this film is that we see an officer taking an arrested man in hand cuffs to his police car where he then drives him back to the police station, after which the arrested man kills the officer from behind using his hand cuffs after a struggle on the floor. The arrested man then pulls up an innocent driver using the stolen the police car, tells the innocent man to get out of the car and kills him with a gun with an appearance of an oxygen tank which in fact shoots out bullets like a hand gun. We then see a different scene, where a cowboy discovers a wounded dog in the country, he then looks at where the dog came from and makes his way there on foot. He then discovers a load of cars in the distance and as he gets closer he finds dead bodies both on the ground and in the cars and one barely alive. As the cowboy does some more investigation he finds a further man, dead, under a tree beside a suitcase full of money which he then picks up and walks off with. Elements of a thriller that I identified in this film is suspense, which I got from the weird oxygen tank before I knew it shot bullets because it was made out to be one thing but in fact was something totally different and it also questions me why does he have it? What does he use it for? When the cowboy discovers the dead bodies, I questioned myself, why are these people dead? What happened to them? What are in all the packages and what’s all the money about? By all this I assumed it was a drug deal which went wrong. During the opening there was no non-diegetic sound.

Seven, directed by David Fincher (1995)

A brief description of what happens in the opening of this film is we see detective Somerset getting ready from the beginning in an incredibly meticulous and organised method, which pretty much establishes his character. He seems to be an extremely methodical and careful character even from the beginning which makes me assume that if he’s that careful at getting ready in the mornings that he also does that for everything else he does, such as his detective work. Another character appears, Detective Mills and has a brief conversation with Detective Somerset which then quickly moves on to a scene with Somerset again but this time with the sound of a clock ticking which builds suspense because this could be suggesting that his time is running out. Along with the ticking I can also hear city noises, car alarms, and people shouting, despite this Somerset is perfectly still and quiet. I get the feeling that he is listening out for the city and that he cares, it’s as if the noise is intruding into his bed room which means he doesn’t quite have his own space and that the city is just a part of him that he will never escape from.In the first murder scene that I saw, the dialogue I get from that is death, uncaring character and a grisly murder, in other words not a nice place to be. The contrast that I have noticed between Mills and Somerset is that Mills is inexperienced, in this youth and has enthusiasm however Somerset is experienced, in his old age and ready to retire. Along with this Mills wants to get into the city however Somerset wants to get out of the city but despite these differences I have realised they probably have more in common than I first thought as I imagine that Mills will become somewhat a character like Somerset. The film is a thriller, crime convention like the film, Lethal Weapon, it contains scenes which overlap with the music and also jumps frequently. The mise - en scene of the title sequence included grotesque pictures, someone’s hand writing into a diary, finger prints being sliced off, something being read from a book, things being erased and cut out, grimy, dirty, unhealthy activity which made me feel uneasy. Also distorted music and as if someone had been denied a normal way of seeing things. The music was in the nature of a static, distorted, industrial rock and included the dialogue ‘closer to God’ and also showed a scene of cutting out the word god which link together. The editing included quick jump cuts, overlapping which gave it a fractured feel and doesn’t flow like I expected it to.

Sunday, 7 February 2010

Thriller Conventions

1) A crime at the core of the narrative (often murder, but not always).
2) A complex narrative structure, with false paths, clues & resolutions.
3) A narrative pattern of establishment enigmas (problems) which the viewer expects to be resolved.
4) A protagonist who is systematically, disempowered and drawn into a complex web of intrigue by an antagonist.
5) Extraordinary events happening in an ordinary situation.
6) Themes of identity.
7) Themes of mirroring.
8) Themes of voyeurism.
9) Protagonist with a ‘flaw’ which is exploited by the antagonist.
10) Titles often reflect an aspect of the protagonist/ antagonist psychological state.
11) There is often a scene near the end of the film in which the protagonist is in peril.
12) Mise En Scene which echoes/ mirrors the protagonist plight.

Wednesday, 3 February 2010

The Manchurian Candidate (2004)


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I have watched and analysed, The Manchurian Candidate, a conspiracy/political thriller, set of the time of the cold war. It is a re make of the Frank Sinatra film, directed by Jonathan Demme and the cast include; Denzel Washington who plays Ben Marco, Meryl Streep & Liev Schreiber who plays Raymond Shaw.

Ben Marco is the main character, an innocent hero who is drawn into action against a powerful enemy. His enemy has managed to brainwash an entire hotel, which would take an entire organisation with large ambitions to accomplish as it involved the capture of soldiers, brain surgery, and the ability to implant probes into them. A comment was made about the probe, ‘this shouldn’t even exist’ which just demonstrates how serious these brainwashers are, having technology which shouldn’t even exist. A moment of suspense is when Ben Marco is in the shower at what time he discovers a lump on his back which leaves us to anticipate whether or not Marco will find the probe under his skin, will he know what it is and the purpose of it being there. Another moment of suspense is when Marco confronts vice president, Raymond Shaw of also having a probe planted in him, which leaves us to think about if the vice president does have a probe in him and whether or not Marco will manage to get it out of him. A further moment of suspense is when Ben Marco manages to collect sufficient information to convince senator, Tom Jordan, the highest level of the states integrity that Marco and vice president, Raymond Shaw have been brainwashed so that Shaw can be elected president to control a multinational business, which leaves us questioning ourselves whether or not the senator will be convinced of Marco’s story and if so, will he be able to get the truth out before Raymond Shaw officially becomes president, which is the purpose for the brainwashing taking place. This film comprises of a few cliff hangers along with a degree of mystery.

Monday, 25 January 2010

Alfred Hitchcock


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Born: Alfred Joseph Hitchcock
13 August 1899
Leytonstone, London, England
Died: 29 April 1980 (aged 80)
Bel Air, Los Angeles, California, US
Other name(s): Hitch/ The Master of Suspense
Occupation: Film director
Years active: 1921–1976
Spouse(s): Alma Reville (1926–1980)
Info

Alfred Hitchcock’s Films
1)The Lodger (1926 - Silent)
2)The Ring (1927 - Silent)
3)Easy Virtue (1927 - Silent)
4)Champagne (1928 - Silent)
5)The Farmer's Wife (1928 Silent)
6)Manxman (1929)
7)Blackmail (1929)
8)Juno and the Paycock (1930)
9)Murder! (1930)
10)Skin Game (1931)
11)Rich and Strange (1932)
12)Number 17 (1932)
13)The Man Who Knew Too Much (1934)
14)The 39 Steps (1935)
15)Secret Agent (1936)
16)Sabotage (1936)
17)Young and Innocent (1937)
18)The Lady Vanishes (1938)
19)Jamaica Inn (1939)
20)Rebecca (1940)
21)Foreign Correspondent (1940)
22)Mr. & Mrs. Smith (1941)
23)Suspicion (1941)
24)Saboteur (1942)
25)Shadow of a Doubt (1943)
26)Bon Voyage & Aventure Malgache (1944)
27)Lifeboat (1944)
28)Spellbound (1945)
29)Notorious (1946)
30)The Paradine Case (1947)
31)Rope (1948)
32)Under Capricorn (1949)
33)Stage Fright (1950)
34)Strangers on a Train (1951)
35)I Confess (1953)
36)Dial M for Murder (1954)
37)Rear Window (1954)
38)To Catch a Thief (1955)
39)The Trouble with Harry (1955)
40)The Wrong Man (1956)
41)The Man Who Knew Too Much (1956)
42)Vertigo, Alfred Hitchcock (1958)
43)North by Northwest (1959)
44)Psycho, Alfred Hitchcock (1960)
45)The Birds (1963)
46)Marnie (1964)
47)Torn Curtain (1966)
48)Topaz (1969)
49)Frenzy (1972)
50)Family Plot (1976)

Friday, 22 January 2010

Narrative - Structure & Devices

Example - Clear establishment of 'cause & effect' plotting which established character motivations & helps tell an interesting story which proceeds logically & steadily.

Automatic use of 'continuity editing'

Enigmas
This refers to a puzzle, something mysterious, inexplicable, a riddle or difficult problem. in thrillers this is commonly something which the protagonist has to try to find out or solve before the narrative is resolved & the film finishes because it would ruin a film if you could guess the ending easily, we like to watch films to watch that last piece of the puzzle slide in place.

Red Herrings
The name given to a device which intends to divert the audience from the truth or an item of significance. This can also work with other devices such as enigmas to create suspense. For example in Saw II, two men are imprisoned in a room with an additional dead body, throughout the whole film we think we know who the murderer is. However the twist at the end reveals to us that what we thought was going was in fact something we didn't expect at all, as the dead person was actually the cause of the murders.

Cliff-hangers
Sometimes, although not always, used. Often features a main character in a precarious or difficult dilemma, or confronted with a shocking revelation. This can entice the audience to return to see how the characters resolve the dilemma. The outcome is often uncertain up to the very end or can end in suspense.

About Thrillers
Thriller is a broad genre of literature, film & television that includes numerous and often overlapping sub-genres. Thrillers are characterised by fast pacing, frequent action, and resourceful hero's who must thwart the plans of the villain. Devices such as suspense, red herrings & cliff-hangers are used extensively. A thriller is a villain driven plot, whereby he presents obstacles which the hero must overcome. The genre is flexible and can engage the audience through a dramatic rendering of psychological, social and political tensions. Thrillers often take place in exotic settings such as foreign cities. The heroes in most thrillers are frequently 'hard men' accustomed to danger e.g. policemen, or ordinary citizens drawn into danger. Thrillers often overlap with mystery stories, distinguished, in thrillers you know the killer or villain, but in murder mystery you don't know who did it. Thrillers are often influenced by film noir and the compromised hero is often killed in the process. Thrillers are on a grand scale e.g. world domination and terrorism.

Wednesday, 20 January 2010

Genres

Genre is a category or type. This includes; Action, Romance, Thriller, Comedy, Sci-Fi, Fantasy, Drama, Horror, Western, Adventure, Musical & Rom/Com.

Alfred Hitchcock - Rope (1948)
This thriller tells the story of two young wealthy men, Brandon & Philip, who strangle and murder a friend just to see if they could get away with it. After the murder, they invite close friends, including the murdered mans parents to their apartment for a dinner party whilst hiding the murdered body in a chest/box in their sitting room, right under everyones noses.

What do I think is going to happen?
I think either during or after the dinner party someone is keen on what’s inside the chest/box and once asked whats in there, the two men will be under pressure to come out with a believable explanation which will make them look slightly suspicious.

Hitchcock’s ‘Maguffin’
McGuffin also known as Maguffin, is a plot device that motivates the characters and advances the story, but has the little other relevance to the story. In other words it’s a significant nothing. An example of a Maguffin is in the film, Transformers. Everyoneone in the film is running around hoping find the location of something called the 'allspark' however it doesn't mean anything and yet it's such a significant item to everyone in the film.

The ‘Psychological’ Thriller: The Mind, Conflict & The Past
Suspense created by psychological thrillers often comes from two or more characters preying upon one another’s minds, either by playing deceptive games with others or by merely trying to

Monday, 11 January 2010

Aspects of a Thriller

- Mystery
- Fast Tempo music
- Dark lighting
- Terror & suspense feature heavily
- ‘Time is an enemy’ race against time can feature
- Better equipped villain than hero
- Killer revealed at the end of the film
- Or killer revealed at the start & audience knows more than the protagonist

Examples of Thrillers
______North by Northest______Psycho__________Saw II
__________(1959)___________(1960)___________(2005)
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Suspense & Shock
Suspense: An example of suspense would be a scene where the camera reveals that there is a bomb under the table to the audience, which leaves us apprehensive about what’s going to happen next.

Shock: An example of shock would be the same scene but instead of the camera revealing the bomb to us, it would just go off.